Fresh Fruits is the second collection of Tokyo street fashion portraits from Japan's premier street fanzine, comprising the sequel to the hugely successful compilation Fruits, published in 2001. Fruits magazine swept Japan off its feet in 1997. Initially a project to document the relentless explosion in street fashion in the suburbs of Tokyo, the magazine has grown to cult stat...(展开全部)

Fresh Fruits is the second collection of Tokyo street fashion portraits from Japan's premier street fanzine, comprising the sequel to the hugely successful compilation Fruits, published in 2001. Fruits magazine swept Japan off its feet in 1997. Initially a project to document the relentless explosion in street fashion in the suburbs of Tokyo, the magazine has grown to cult stat...(展开全部)

Fruits is a collection of Tokyo street fashion portraits from Japan's premier street fanzine of the same name. 'Fruits' was established in 1994, by photographer Shoichi Aoki, initially as a project to document the growing explosion in street fashion within the suburbs of Tokyo. Over the last five years, the magazine has grown to cult status and is now avidly followed by thousan...(展开全部)

Fruits is a collection of Tokyo street fashion portraits from Japan's premier street fanzine of the same name. 'Fruits' was established in 1994, by photographer Shoichi Aoki, initially as a project to document the growing explosion in street fashion within the suburbs of Tokyo. Over the last five years, the magazine has grown to cult status and is now avidly followed by thousan...(展开全部)

简介：“父王爹地，这是我的男朋友，尼可，一个月后，我们就共结连理了。”安妮牵着尼可的手，兴奋地告诉父王这个好消息。　　“拜见国王。”尼可右手斜放在圆圆的胸前，向国王行礼。        “哦M...

编号223（林志鹏），1979年生于中国广东，现居于北京。223试图通过摄影呈现中国当代年轻人的活动和精神面貌，在他的镜头之下，这享受爱情和生活的中国年轻一代，就在情欲、喜悦、傲慢和玩乐间摇摆。 《花与果》是一系列鲜花和水果的照片，亦是223作为主题多次拍摄的元素。新鲜的花朵和水果娇艳而又满溢生命力，然而腐烂之后又异常丑陋。 223有意识地表现鲜花和水果，但当我们再次回想起这些图像来时，会发现其中有许多是被无意识地反映出来的。鲜花和水果，就像摇曳的青春，也象征着终将走向死亡的生命，它们都是迷人的。带有瞬间光晕的鲜花和水果，就像那些正在绽放的年轻人。

Since man first wielded a stick in anger, war and conflict have been prime movers in the progress of science and technology. In our earliest days the impetus may have been as simple as protecting territory or a food supply; more recently science has benefited from massive injections of cash when national security is at stake. But as Michael White demonstrates in this superbly w...(展开全部)

Since man first wielded a stick in anger, war and conflict have been prime movers in the progress of science and technology. In our earliest days the impetus may have been as simple as protecting territory or a food supply; more recently science has benefited from massive injections of cash when national security is at stake. But as Michael White demonstrates in this superbly w...(展开全部)

The final harvest of our great nature writer s last years, Wild Fruits presents Thoreau s distinctly American gospel a sacramental vision of nature in which "the tension between Thoreau the naturalist and Thoreau the missionary for nature s wonders invigorates nearly every page" (Time). In transcribing the 150-year-old manuscript s cryptic handwriting and complex notations, Tho...(展开全部)

The final harvest of our great nature writer s last years, Wild Fruits presents Thoreau s distinctly American gospel a sacramental vision of nature in which "the tension between Thoreau the naturalist and Thoreau the missionary for nature s wonders invigorates nearly every page" (Time). In transcribing the 150-year-old manuscript s cryptic handwriting and complex notations, Tho...(展开全部)